How I Teach

This fourth-grade teacher doesn’t take away recess or use points to manage the class. Instead she’s built a culture of respect.

PHOTO: Liz Fitzgerald
Liz Fitzgerald teaches fourth grade at Sagebrush Elementary School in the Cherry Creek district.

How do teachers captivate their students? Here, in a feature we call How I Teach, we ask great educators how they approach their jobs. You can see other pieces in this series here.

Liz Fitzgerald, a fourth-grade teacher at Sagebrush Elementary in the Cherry Creek School District, used to hang flags and posters to represent all the different cultures represented by her students. Then she decided that wasn’t enough.

She wanted her students to know they were in a safe place regardless of their background or opinions. She worked with them to create a classroom built on acceptance and civility — even when viewpoints diverge.

Fitzgerald is one of 15 teachers who were selected for the inaugural Colorado Teaching Policy Fellowship operated by the national nonprofit Teach Plus. The nine-month program aims to involve teacher leaders in state-level education policy discussions, including how the state responds to the Every Student Succeeds Act, the new federal education law.

This interview has been condensed and lightly edited.

Why did you become a teacher?

I always wanted to do something important and that made the world a better place. I see education as one of the very few universal human experiences, and so it has always struck me as a place where we, as a society, can make the most impact. If we can guarantee that every person has access to an excellent educational experience with highly effective teachers, I think we can create a lot of change in our country and our world. I wanted to be part of that!

What does your classroom look like?

I spent the first four years of my career in a school where most of my students rarely ventured outside of their neighborhood. My students lived five miles from downtown, yet many of them had never been there. I wanted to find a way to bring the world to them and introduce my students to life beyond their neighborhood. I started decorating my library with travel posters, I hung up flags from countries that represented my students’ backgrounds, and I started incorporating ideas, traditions, and stories from all around the world into my curriculum.

As I grew past my second year of teaching, I realized that hanging up flags and posters of students’ cultures was only one piece of celebrating who they are and encouraging them to explore new ways of thinking. I wanted the classroom to be more than superficially welcoming but emotionally safe as well. So today, my classroom still has many of these artifacts, but we also write and hang agreements of how we will treat one another. We refer back to these agreements on our rough days and celebrate them on our good days. We have words and phrases on the walls that help us share our truths but also consider the perspective of others. I hope that this creates a safe and welcoming space yet also stretches all of us to grow.

What apps/software/tools can’t you teach without? Why?

One aspect of my master’s program was learning and utilizing the Seven Norms of Collaboration. As I practiced these norms in working with adults, I realized that my students were capable of using them too. Instead of a classroom management system that takes away points, recess, or stamps, I decided to approach this year differently. I adapted the Seven Norms of Collaboration to meet the needs of my students, and then I spent the first weeks of school teaching my students our norms and expectations of working together.

Today, if you walk into my classroom, you see students setting social and academic goals for themselves, collaborating in groups, and monitoring progress toward their goals. Our discipline problems have been minimal — the occasional spat at recess — and I feel like our classroom community is built on deep respect. My students are comfortable living in a state of cognitive dissonance, and we have guidelines for how we disagree respectfully with one another. I cannot imagine teaching any other way, and most importantly, I hope that these are skills that stick with them for the rest of their lives.

How do you plan your lessons?

Every lesson begins with the evaluation of my students’ current level of understanding. Sometimes this is a formal process of pre-assessment, while other times it consists of analyzing patterns of student performance. Either way, I try to be very thoughtful in the objective that I am trying to teach, how to adjust for students who may struggle, and how to extend the lesson for students who quickly master the material. I work with my grade-level team and my English Language co-teacher to determine where each lesson fits into our curriculum maps as well as best practices for teaching.

I use the workshop model in every subject, so I try to keep my mini-lesson at approximately 15-20 minutes and allow for 30-50 minutes of student work time. This large chunk of time allows me to conference with students one-on-one or in small groups and really modify or extend the lesson as needed. Similarly, it allows students to spend the majority of time doing what they need the most — practicing and engaging in their own learning!

What qualities make an ideal lesson?

The words of my first principal echo in my head — “Intro, model, check, release” — and I still think those are the four most important parts: engage students in a lesson, model the skill, check student progress on the skill, and release students to work. But my favorite lessons are the ones where students take the lead, make connections to a previous concept, or take over the conversation. I LOVE watching my students engage in respectful disagreements among themselves and arrive at new learning in a natural way.

How do you respond when a student doesn’t understand your lesson?

I love the workshop model because it allows me to meet the needs of all my students. During that large period of student work time, I can meet one-on-one with students, modify or provide support as necessary, and ultimately help that child reach the objective. I try to stay very calm and patient, validate the student’s hard work, and hold the same high expectation. I want students to feel comfortable asking for help and empowered that they can achieve.

What is your go-to trick to re-engage a student who has lost focus?

I think it is so important to remember that no one can have their best day every day. When a student has lost focus, I try to keep this in mind. Part of our classroom is the expectation to “Pay Attention to Yourself,” monitor your emotions, and make deliberate choices when you notice something is off.

When students are having a rough day, I remind them of this expectation and work with them to determine appropriate next steps. Knowing my students really helps with this. I know that some of them need to be coached into a minute of physical activity, others need one minute to doodle, while others may need to take a quick lap around our school.

How do you maintain communication with the parents?

I send an email every Monday with classroom celebrations, a detailed schedule of our week (special events, homework…etc), upcoming notes or events, and questions for families to discuss with their students at home. These questions include everything from probes about our classroom content to reflections about what was challenging for students. My hope is that by including specific questions, parents feel more connected to what happens in our classroom and can have meaningful conversations about our classroom at home!

I also complete rounds of family check-ins every few weeks. During these check-ins, I call every parent in my classroom and share student progress, anecdotes, and any concerns I have. This time also allows me to hear what is on the minds of parents and make sure that no frustration, concern, or question goes unheard. I have found that these check-ins help develop my relationship with each parent and our trust in each other.

What are you reading for enjoyment?

I’ve always loved historical fiction, and I have been enjoying a few new titles thanks to our school staff’s book club. Recently we read When the Moon Was Low, which is the story of a family fleeing Afghanistan, which gave us a lot of perspective on the experiences of many of our families and community members. We also have read Yellow Crocus about a white woman growing up with a black wet nurse and their very different searches for freedom.

What’s the best advice you ever received?

The summer before my first year of teaching, I read a book titled Teaching with Love and Logic. The authors wrote that a student “will do anything for a teacher that they love, even things they wouldn’t do for themselves.” I believe so much in the power of building a positive, meaningful relationship with every student, and that it can be the difference-maker in a classroom. Even on my frustrated days, I remind students that in this classroom they are loved, they are believed in, and they matter, and if nothing else, I hope they take that with them at the end of the day.

How I Teach

‘All our dreams are on his shoulders.’ The stories that motivate a bilingual teacher

How do teachers captivate their students? Here, in a feature we call How I Teach, we ask great educators how they approach their jobs. You can see other pieces in this series here.

It had been a tiring day of parent-teacher conferences for Amanda Duncan, a sixth-grade dual language literacy teacher at Foster Elementary in Arvada. Then the last family of the evening snapped things back into perspective.

The mother had walked two miles through the snow with her sixth-grade son, pushing the baby in a stroller. She told Duncan that she and her husband hadn’t been able to pursue their education, but wanted something different for their son.

“Will you make sure he stays successful?” the mother asked Duncan. “All our dreams are on his shoulders.”

Duncan, who was named the 2017 Bilingual Teacher of the Year by the Colorado Association for Bilingual Education, talked to Chalkbeat about why that conversation was a valuable reminder about the role teachers play in shaping the future.

This interview has been condensed and lightly edited.

Amanda Duncan

Why did you become a teacher?
I really didn’t set out to become a teacher. I was always interested in other cultures and languages, and in college I considered majoring in anthropology, then public health. Finally, I settled on Latin American Studies. During my last semester, we had to write a mini-thesis about any topic that interested us, and I chose bilingual education — a controversial political topic at that time (still is!).

After graduating, I began working in a middle school English as a Second Language classroom as a paraprofessional, and realized that it felt right being in a school in a diverse setting. I enrolled in a one-year program to get a teaching license and haven’t looked back. I love how teaching makes you an integral part of the community. It allows you to create change in the world by helping students realize how valuable and unique they are.

What does your classroom look like?
My classroom has charts made by the students or me in English and Spanish. There is a lot of intentional use of color to denote important language frames or highlight vocabulary. Since everyone in the room is a second language-learner at some point during the day, I try to provide lots of visual support both with pictures and key words so they have something to latch on to if they are unsure of some word meanings.

For years I was always saying, “It’s Spanish time, I don’t want to hear English right now!” But over time, I had to accept that there is no way to turn off the other language in your brain. So as long as we are using one language as a springboard for understanding or creating in the other, I find value in letting kids use both languages at the same time. It is a natural thing our brains do anyway!

It is a fine line, though. Since we are an immersion program, it is vital that we really hold students to a high standard of production in their second language. But each child builds their second language differently, just like any type of learning. Some need to rely more heavily on their first language to avoid being overwhelmed by the second language. Others are very bilingual already and need to be reminded to continually use Spanish in an academic setting. Even the youngest students know that English is the language of power, and it can easily dominate even in a Spanish immersion classroom. The teachers at my school work tirelessly to constantly lift up the value and beauty of Spanish, so that students will undertake the extra effort of learning through two languages.

I couldn’t teach without my __________. Why?
Students. Hahaha! No, but really, the students are what keep me coming back day after day. Even after 20 years of working with children, they continue to surprise me with their creativity and initiative. I am constantly inspired by the stories they and their families share with me, their daily struggles and perseverance.

At times I feel exhausted by this job, but then I think of how hard many of our families work and the obstacles they are facing, and I am humbled. Teachers have a tremendous responsibility to give our students the best preparation possible so they can be successful in this country. Our community is counting on us and we cannot let them down.

What is one of your favorite lessons to teach?
One of my favorite units to teach is the personal narrative. I love helping students see that their regular lives contain incredible stories. Sometimes they are heartbreakingly sad. Other times they are ridiculously funny. I love helping them learn techniques to take a seemingly regular moment and create a terrific piece of writing. We do this by studying mentor texts (including those by former students) and I demonstrate my own thinking as I write my own story in front of them. I also incorporate drama into the writing process. and we have learned techniques to help students really immerse themselves in their memories. It is powerful to watch students create a “freeze” of their memory — making themselves into a statue that shows the feelings and the moment — then write. They also interview each other to dig even deeper into that moment in time. Their writing improves exponentially and they are so proud of the results.

How do you respond when a student doesn’t understand your lesson?
When a student doesn’t understand, I first have to figure out why. Were they listening? Is there a misconception? Was my lesson confusing? Did it not meet their learning style? Are they distracted by other things going on in their life? My response depends on what the root cause is for not understanding.

How do you get your class’s attention if students are talking or off task?
Any time a teacher redirects a class or a student, it’s a million times more powerful if she gives the reason why they are being redirected. For example, “Table 3, please focus your talk on the lesson. If you talk about other things right now, you will lose your train of thought about the lesson and you won’t produce your best quality of work when it’s time to write.” or “So-and-so, if you are talking while I am giving directions you will not know what to do, and if you don’t know what to do you will not learn this critical skill that will help you be successful in middle school and beyond.” Kids need to know that the rules are not about the teacher having control. Rules are there to protect and enhance the learning environment for everyone’s benefit.

How do you get to know your students and build relationships with them? What questions do you ask or what actions do you take?
I think the first step to building relationships with your students is having a genuine curiosity for who each one really is. You need to laugh at the annoying traits that kids exhibit at different stages of life, maybe roll your eyes about it with colleagues later, but also just enjoy watching the kids figure out who they are and who they want to be. My favorite strategy is paraphrasing what students say. It’s helpful when they are upset, or when the problem they are having is confusing or convoluted (No! Not in 6th grade!). It lets students know you “get them”. I also think it’s super helpful to tell them about a time you struggled with a similar issue, and explain how you learned to deal with it. It helps them feel connected. And if you haven’t experienced something like they have, just really saying with your whole heart, “Wow, that sounds so hard to deal with. I am not even sure what to say, but know that I am with you and I am thinking good thoughts for you.” It helps kids feel less alone.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.
One story that sticks with me is from a couple of years ago. It was the second night of parent teacher conferences, near the end of the evening. I was tired, feeling good because conferences had gone well, but also feeling overworked and exhausted. It’s easy to feel a little sorry for yourself.

It was a February evening in Colorado, so it was very cold and snowy. I just wanted to be home and curl up on the couch with my family. I peeked into the hall to see if my 7:30 p.m. appointment had arrived, and there was my student Oscar with his mom and his baby sister in the stroller. Their cheeks were rosy-pink and they were unwrapping themselves from their many jackets. They had walked to conferences from their home about two miles away in snowy 20 degree weather.

Oscar’s mom and I introduced ourselves, and she apologized for missing the fall conference, but that was right when her daughter was born.

“Ms. Amanda,” she began in Spanish, “I just want to know if Oscar is doing well in school. Is he respectful to you and his classmates? Does he work hard?” I assured her that Oscar was a model student. “You see, Ms. Amanda, Oscar is the hope of our family. My husband and I weren’t able to study as much as we would have liked to. And now, we work so hard. I work all day and my husband cares for the baby, then I come home and he takes our one car to work at night. But we want a different life for Oscar. Will you make sure he stays successful? All our dreams are on his shoulders.”

This particular story sticks with me because of the cold night, because of the baby, and because I was feeling sorry for myself right before this conversation. But we all hear stories like this all the time. They remind us that we hold in our hands the future of many families, generations even. We cannot let our community down.

What are you reading for enjoyment?
“My Grandmother Asked Me to Tell You She’s Sorry” by Fredrik Backman

What’s the best advice you ever received?
My mom was also a teacher and she always reminds me to take time for myself and my family. There is always more that you can do as a teacher. Don’t get too bogged down in trying to make every single lesson perfect. You need to say, “That is enough for today,” and let it go. Guess what? The sun will come up tomorrow and your students will still learn plenty. Especially if you are able to come back fresh and be willing to give your heart to them.

How I Teach

No hiding: This Colorado teacher doesn’t hold back his feelings about how music moves him

Chris Maunu, choir director at Arvada West High School, works with students.

How do teachers captivate their students? Here, in a feature we call How I Teach, we ask great educators how they approach their jobs. You can see other pieces in this series here.

Chris Maunu, choir director at Arvada West High School, was rehearsing a OneRepublic song with his students, when he choked up as the full weight of a lyric hit him. It reminded him of his sister, who has cerebral palsy.

Instead of beating back his emotions, Maunu told his students what he was feeling. It was all part of his commitment to show students his true self — and get the same back from them.

He talked to Chalkbeat about how vulnerability helps him teach, why he decided to switch his college major and what he does to encourage peer mentorship.

Maunu is one of 25 music teachers across the country selected as a semifinalist for the 2018 Music Educator Award presented by the Recording Academy and the GRAMMY Museum.

This interview has been condensed and lightly edited.

Why did you become a teacher?
I actually began college as a business management major. My parents insisted that I join the college choir, so I hesitantly signed up on registration day. The director wanted to hear all students sing individually in her office. She made it clear that this was not an audition, but a way to get to know everyone and their voices. When she heard me sing she was quite pleased and asked if I wanted to be in the select chamber choir. I responded, “Sure, let me just drop my history class.”

Before I knew it, I was involved in three collegiate choirs. I LOVED it! Everyone was so passionate and dedicated. I didn’t have a good music program in high school, so this was my first exposure to a quality program. After feeling pressured to put all of my energy into athletics in high school, I had finally found my home! I instantly wanted to provide that for young people. I wanted to do what I could to make sure my students feel PROUD to be in choir in high school. I changed majors that next semester and never looked back.

What does your classroom look like?
We have curved seated risers with 90 chairs. Front and center of the classroom is a seven-foot Steinway grand piano. The walls are decorated with photo collages of senior classes from the last decade, awards, trophies and inspirational quotes.

Fill in the blank. I couldn’t teach without my _________Why?
My voice. Modeling is such an important part of my instructional practice. The singing voice is such a complicated and intricate instrument that modeling is a crucial strategy in developing students’ voices.

What is one of your favorite lessons to teach?
We do a lesson based around fear. Students write down their greatest fears and I share them (anonymously) with the class. Inevitably, the most common one is the fear of being judged or criticized in front of their peers. When students learn that we all have the same insecurities around performing, they become more comfortable with who they are as singers and more importantly, as people. This is followed by a guided discussion. It’s amazing how much more supportive of one another they become.

How did you come up with the idea?
I have read a lot of materials by author Brene Brown. She has worked for years at breaking down the barriers of talking about uncomfortable things that we all experience but have a tendency to shove away, such as fear, shame, and vulnerability. She has greatly influenced my teaching.

How do you respond when a student doesn’t understand your lesson?
With the fear lesson, there is usually some hesitation, but not a lack of understanding. Once they begin hearing others’ vulnerabilities, they truly become engaged. In average music rehearsals, I try to have issues fixed at the “grassroots” level when possible. I strategically seat stronger students next to students with weaker talent or skills. A mentorship develops between the students in which the stronger student can help the weaker one along. If I need to step in, I’ll go that route as well.

How do you get your class’s attention if students are talking or off task?
We are constantly learning from one another in the choir room. Students get reminded that whatever another group is learning will apply to them as well. For example, if I’m working with the tenors and tell them that a vowel needs to be taller to achieve a specific blend and intonation, chances are it will also apply to the sopranos, altos and basses. Often each vocal section is dependent upon one another to find a pitch or tune a chord.

How do you get to know your students and build relationships with them? What questions do you ask or what actions do you take?
We do full-day retreats with our choirs at the start of the year to build relationships with them and with one another. We also have a student choir leadership team. Members of this team sponsor each choir class and hold social events through the year.

It’s my hope that every student in my classroom feels like they are the most liked and most needed student in the room. I go back to vulnerability. If I am modeling vulnerability — not just being emotional in front of them, but showing them my most authentic self — that bond really seems to take hold.

This is two-fold. First is being authentic in how I behave in general in the classroom. As an introvert, I have always been inspired when I attend professional conferences and see such extroverted leaders in the field share their expertise in how they do things in the classroom. I’ve left so many of those sessions saying to myself, “My teaching personality needs to be more like that!” While I think we all should learn from experts and continue to shape our craft, I think we need to be authentic about who we are. When I started to become more honest with myself, I hit my stride as a teacher.

The second part has to do with what we share with students. We can share personal things about ourselves without being inappropriate. Let’s not be talk about that difficult divorce we are going through, etc. but there are things that can allow students to really connect to us in a vulnerable way. Here is an example. One of my choirs was preparing the song “I Lived” by OneRepublic for our Pops Concert. The song was originally written about a Colorado teen with cystic fibrosis and overcoming life’s difficulties and truly living.

There was a lyric that hit me like a ton of bricks during one class: “I owned every second that this world could give, with every broken bone I swear I lived.” I thought of my own sister with cerebral palsy and began to get emotional. I had a decision to make in that moment — Do I just move on? Or do I take a few minutes and share about myself? I chose to share. We shared, we cried, and we grew closer. When students (especially male students) see an adult figure being truly real, it helps their emotional intelligence grow.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.
I think it’s when parents share how big of an impact my class has on their child. Parents have shared things like, “You are the only reason my child comes to school” or “My child would have not made it through high school without your class.” Teachers have such a huge impact on their students. Sometimes we get caught in the daily grind and it’s easy to forget that.

What are you reading for enjoyment?
“Rising Strong” by Brene Brown

What’s the best advice you ever received?

Provide authentic affirmation to your students at every opportunity.