To teach American music, this Colorado teacher takes students back in time

PHOTO: Erin Einhorn

How do teachers captivate their students? Here, in a feature we call How I Teach, we ask great educators how they approach their jobs. You can see other pieces in this series here.

Dave Lunn, the band and orchestra director at Liberty Common High School in Fort Collins, was working at a coffee shop when he got the offer to start a band program at the new charter school.

Although he taught private music lessons at the time, he’d never planned to go into teaching. That was his parents’ field, not his.

But once he got started at Liberty Common, where he teaches music theory and music history, too, he knew it was the career for him.

Lunn, who was one of seven finalists for the 2018 Colorado Teacher of the Year award, talked to Chalkbeat about why his unit on American Roots music is so important, how a Japanese concept influences his teaching and why he loves parent-teacher conferences.

This interview has been condensed and lightly edited.

Why did you become a teacher?
Both of my parents were teachers, so to forge my own identity, I tried to follow a different path. On the side, I had developed a considerable private music studio, teaching saxophone and other instruments, so I became known in the music education community as a private instructor.

While working as a barista, one of my customers who knew that I taught music lessons was involved in starting a new charter school called Liberty Common School. She approached me about starting a band program as an extracurricular activity for the students. What began as a group of 25 students grew into a music program with five bands and a string orchestra at a school that I have now been working at for 20 years. I guess you could say that teaching found me, because as soon as I began, I knew that it was what I was meant to do. I mainly knew this, because I wouldn’t get that pit in my stomach on Sunday evenings that was such a familiar feeling in other jobs. I loved (and still do) the fact that that being a teacher offered endless opportunities to be creative and more effective.

What does your classroom look like?
My classroom communicates two things: 1. My love for all kinds of music (which I hope to be contagious) is broadcast everywhere. There are posters up and musical instruments of all kinds everywhere (I am very clear about which ones are available for students to play and when). 2. That students are welcome. One of my colleagues has dubbed my room “The Oasis,” because stressed-out students often come in during down time to play the piano, or one of the guitars hanging on the wall, or even to study in a low-stress atmosphere.

Fill in the blank. I couldn’t teach without my _________. Why?
My sense of humor. Ever since I was a kid, I loved being (or trying to be) funny. For better or worse, it defined my high school career, as I was voted “Class Clown” of my senior class. In teaching, it has been a great tool for engaging students in the lesson and even more importantly, building relationships. It also keeps me from getting bored!

What is one of your favorite lessons to teach? How did you come up with the idea?
My favorite unit is called “American Roots Music.” I teach this unit in a high school class called Introduction to Music History and Theory. In it, I guide students through an American musical “tree,” in which I demonstrate that most of American popular music can be traced back to the folk songs of slaves in the United States. We then discuss how this beautiful music was anonymously created out of the most miserable and unjust circumstances imaginable. We discuss how, after the abolition of slavery, this music would evolve into gospel and blues music, each branching out into yet more musical genres. We explore the many styles of blues that emerged, such as Delta blues, Chicago blues and Kansas City blues, and the tremendous influence those styles would birth. We journey to New Orleans, and learn about how the unique mixing of African, French, Spanish, and Caribbean cultures would eventually create jazz music. We then trace the evolution of jazz through all of its many styles. Finally, we learn about how the meeting of African-American rhythm and blues with white American country music developed into rock and roll.

There are many reasons that this is my favorite unit to teach. Although I am a band and orchestra director, I love lecturing and putting together presentations, and I do so every chance I get. I’m a performer at heart. I believe that the best performances aren’t just spectacles, but involve and engage the audience. The audience should leave a great performance changed, with a new way of looking at things. American Roots music speaks to my soul like no other music. I want my students to understand what I understand about the sublimity of this music.

How do you respond when a student doesn’t understand your lesson?
The challenge of teaching is, for me, all about striving to help a student understand the concept or material that I am presenting. Like most teachers, I present material in as many ways as I possibly can: visual, auditory, and kinesthetic. I am always checking for understanding through the questions I ask. If I feel that a student still doesn’t understand (and really wants to), I will try to find one-on-one time to work with him or her.

How do you get your class’s attention if students are talking or off task?
In my more traditional, lecture-oriented classes, I begin by playing interesting music that we have learned about during the previous lesson. I slowly raise the volume until I see all eyes up front. As soon as I stop the music, I begin teaching immediately, by beginning with something engaging. What I am trying to do is keep the pace lively, and not to leave any room for other distractions to take the energy away.

I also move around the room quite a bit, so that every student in the class is effectively “sitting up front.” In my music ensembles classes, routines are worked out during the first few days of school to establish when it is acceptable to play your instrument or talk, and when the attention needs to be on me as the conductor. The use of a conductor’s podium and a baton are what makes this happen. My whole goal is to avoid shouting above the din of the classroom. It works most of the time.

How do you get to know your students and build relationships with them? What questions do you ask or what actions do you take?
I take a great interest in getting to know my students individually and, honestly, this is where I put the majority of my energy and receive the most fulfillment back. I use humor to build rapport, establish “buy in,” and disarm any negativity. Other than that, I just pay attention to how different students respond to situations, and I get to know their strengths and weaknesses through our experiences in the classroom. My hope is to be the kind of teacher and mentor that they need.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.
I know it may sound strange, but I enjoy parent-teacher conferences every year. This is when I get to know the families of new students, as well as continue to build relationships with parents that I have known for years. I always come away with new insights into students who I thought I already knew so much about. While the overwhelming majority of these interactions are positive, I value the more challenging encounters just as much. I learn something every year that helps be get better as an educator.

What are you reading for enjoyment?
I just finished a book about world poverty and possible solutions called “UnPoverty: Rich Lessons from the Working Poor” by Mark Lutz. I know this sounds odd for “reading for enjoyment,” but my daughter is spending a gap year working in Nicaragua, and I read it along with her to get a better insight into the nature of the work she is doing. It’s fascinating and soul-provoking.

I also am reading a book called “Gumption: Relighting the Torch of Freedom with America’s Gutsiest Troublemakers” by Nick Offerman from the television show “Parks and Recreation.” That is one of my favorite shows, and I got to meet Nick Offerman at a book-signing where I bought the book. It’s a collection of short essays about people he admires. It’s filled with his trademark dry humor and wisdom.

What’s the best advice you ever received?
My first principal and education mentor, Dr. Kathryn Knox, mentioned a word that she picked up while living in Japan. The word is “muda,” and it roughly means futility, uselessness, wastefulness. She said that her password at the time was “muda gone”. This inspired me at the time to identify those things that could interfere with my effectiveness as a teacher, and even more importantly, my passion for teaching. There are so many elements in an educator’s career that threaten to weigh us down with “muda,” and keep us from focusing in keeping the joy of learning alive in our students. I have always tried to give all “muda” only the minimal space in my mind that is required, so that my energy is fully available for teaching. It has worked well so far.

How this Indiana teacher helps hospitalized students transition back to school

PHOTO: FS Productions / Getty Images
Nurse talking to girl in hospital bed

Here, in a feature we call How I Teach, we ask educators who’ve been recognized for their work how they approach their jobs. You can see other pieces in the series here.

When Sara Midura meets her students, they’ve often just gone through a crisis.

As an educational liaison at Riley Hospital for Children, Midura is both a teacher and an educational advocate for patients in the Simon Skjodt Child and Adolescent Behavioral Health Unit. She helps them keep up with schoolwork and transition back to school once their hospital stay is over.

“Many times, the students who come to us are either slipping through the cracks or seen as having huge ‘behavior issues,’” Midura said.

Her work includes easing the anxiety of a student returning to school; partnering with the family, school, and treatment team to make sure a student’s behavioral health needs can be met; and finding a “go-to person” at school who understands the student’s situation.

Midura, who was recently named one of the top 25 finalists for 2019 Indiana Teacher of the Year, talked to Chalkbeat about how she supports hospitalized children and how the lack of mental health resources in schools can affect students.

This interview has been condensed and lightly edited.

Was there a moment when you decided to become a teacher?

I decided to be a teacher in kindergarten — I loved my teacher and loved school, so it felt like a no-brainer to my 5-year-old self! I proceeded to force my friends to play school with me in my basement and made lesson plans during days that I stayed home sick. I toyed with other ideas for professions through my K-12 education, but solidified my desire to be a teacher as a camp counselor during my high school years.

How do you get to know your students?

Since I only have my students for a short period of time, I try to capitalize on the time I have with them by having them fill out a “school profile,” which really serves two purposes. Since the first time I meet the kiddos is almost always their first day on the unit following a crisis, I know that they are not functioning in their prefrontal cortex and are in crisis mode. They understandably are typically shut off, so the school profile is a great way for them to easily and safely let me get to know them a bit. It starts a good rapport, and I can always connect to something in there. Then each day I just make sure I check in with them, always reminding them that I am their advocate. We talk about school, life, and anything else. It can be easier to get to know them since they are in such a small group setting of up to 10 kids. This is my favorite part of the job!

Tell us about a favorite lesson to teach. Where did the idea come from?

I am certified in Applied Educational Neuroscience (I took a nine-credit hour graduate course at Butler University with Lori Desautels), so I run a group on my unit every week called “Brain Club.” In this, I teach students about their brains, stress, emotions, and how the coping skills we teach them in their therapies and on the unit are truly brain regulation strategies. We talk about the different parts of the brain, which ones we function in where, our amygdala and fear, and so much else! The kids typically love brain club and are so engaged!

What object would you be helpless without during the school day?

My iPad! Between playing music — I cannot work in silence! — looking up information to help students with their assignments, and using the different educational apps to fit all of my kids’ needs, I bring my iPad with me everywhere.

What’s something happening in the community that affects what goes on inside your class?

Mental health resources, or the lack thereof in many districts, greatly impact what happens inside my classroom and on my unit. There are many schools that are so underfunded and lacking resources, leaving staff burnt out. In my mind, this creates and unsafe environment for my patients returning to school. My patients need a school staff that can understand mental/behavioral health.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.

The first really challenging case that I had was a few months into me working on the unit. We had a very high-achieving student who was going through some intensive setbacks, and the student’s dad was extremely concerned about school. I assured him that we would be able to “fix” everything with school and ensure that it went back to his expectation of normal, but that ended up not happening. This experience taught me that I cannot ever promise any outcome, but I can promise families that I will be with them each step of the way to ensure that education matches the treatment needs. This has changed my approach to speaking with families.

What part of your job is most difficult?

Navigating all of the different school systems and cultures during such a short hospitalization period can be very difficult when discussing behavioral health needs. I have my patients for about a week typically, so trying to provide enough support and education to patients, family, and school staff can be very challenging. I often feel like I don’t have the capability to serve schools as well as I would like to with supports! It is also difficult to not know how my students are doing after they are discharged — I wonder about them so often.

What was your biggest misconception that you initially brought to teaching?

I’m not so sure that this was a misconception rather than an underestimation, but I really did not comprehend until I got into teaching how huge of a difference a teacher can make on a child’s life. Now what I know about the brain and mental health is that one positive, intensive relationship with a teacher can absolutely change the course of a student’s life — it’s amazing to watch.

What are you reading for enjoyment?

This is very nerdy of me, but I loved reading books that relate to behavioral health, so currently I am reading “Life Without Ed,” a book told from the perspective of someone who battled an eating disorder. I work with many kids with eating disorders, and it is such a terrible, heartbreaking disease that I greatly misunderstood before working on my unit.

What’s the best advice you’ve received about teaching?

The best advice I received about teaching was to “fill your four circles consistently.” One of my amazing professors from Butler, Theresa Knipstein Meyer, gave a lecture one day about how crucial self-care is for educators. She showed us the theory of the four circles, where you have to consistently be taking care of different aspects of your health for the circles to be balanced and keep “your fire within” ignited. I think that it is so easy for educators to pour their entire hearts and souls into teaching only to get burnt out, and I have had to be conscious about taking care of every aspect of my life. This makes me a much better teacher and person, and I am so grateful to have learned that.

For this Detroit teacher, math is about teaching ‘what makes something true’

PHOTO: Michael Chrzan
Michael Chrzan teaching math during Math Corps, a summer program at Wayne State University.

Here, in a feature we call How I Teach, we ask educators who’ve been recognized for their work how they approach their jobs. You can see other pieces in the series here.

Asked what he teaches, Michael Chrzan says “mathematics.” Because in his classroom at Henry Ford Academy, a charter high school in Detroit, math is more than the calculations you need to tip a server or balance a budget. Chrzan, a third-year teacher, sees the abstract reasoning skills of mathematics — the proofs and deductions — as tools to help his students develop a firmer grasp on every aspect of their world.

This is just one of the ways he is unusual. A Teach for America alumnus, Chrzan also went through a traditional teacher training program in college. He is a African-American male math teacher in a country that produces far too few of them. And remember the Pokemon Go craze? He still plays.

Less than a week before Chrzan is to be honored as Teach for America’s teacher of the year in Detroit, Chalkbeat spoke with him about his dealings with parents, the toughest parts of his job, his social media habits, and how he finds  “greatness” in every student.

Was there a moment when you decided to become a teacher?

I’ve been teaching in some capacity — teaching or tutoring — since high school. I was a teaching assistant at a summer camp at Wayne State called Math Corps. I caught the bug for teaching there. I did that for three summers. I knew at some point in my life that I would get back into teaching. In college, I took a couple of computer science and math and education classes. And the computer science classes were fun, but I was like, this is just a hobby.

Tell us about a favorite lesson to teach. Where did the idea come from?

I taught geometry the last two years. It’s really a beautiful class because it’s the only class in high school where kids do the work of professional mathematicians. It’s the only class where they do proofs. So we get to have a really rigorous conversation about what makes something true, which is really important in our society right now.

Every year I pull in examples of deductive reasoning from outside of mathematics too.

One of the things I’m going to try this year is bringing in a Supreme Court decision and talking about the deductive reasoning that shows up there.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.

I had a conversation with a very young student’s mother who had the frame of mind that he was responsible for himself.

I was calling to talk about some issues that I’d seen on his homework, and just about getting it completed. That’s a really important part of the learning, that independent practice. And she was very much of the mindset that I needed to have that conversation with him, not her. It was not her job for him to get that done.

It changed how I discussed things with him because it got a much deeper understanding of what he has to deal with outside of these four walls.

What part of your job is most difficult?

The hardest part is motivating students. There are some students who have a really long history of messaging that they’ve gotten from schools, of the kind of person and students they are. I try to reverse that. You plant a seed when you’re the one teacher who’s telling them something different, but sometimes you don’t get to see that seed bloom in one year.

What was the biggest misconception that you initially brought to teaching?

That I was ready for it. I did a lot of pre-professional teaching things. In college, I went to New York for two summers and taught in a program called Breakthrough. I did student teaching. I did Teach for America. I was like, I’ve got to be ready for this, I’ve got so much more experience than most people do when they enter the profession.

I was not ready. There’s is nothing that will prepare you for day in and day out being responsible for your kids’ learning.

What are you reading for enjoyment?

“Children of Blood and Bone,” by Tomi Adeyemi. It’s possibly one of my favorite books of all time. As a millennial, I’m very into social media. I will typically lull myself to sleep on Instagram. And I’ve gotten back into Pokemon Go.

What’s the best advice you’ve received about teaching?

There are two. I can’t decide which I like better. The first would be, ‘don’t take anything personally.’ That really helped me understand that if I’m having a management issue with a kid, it may not have anything to do with me, that’s probably a kid who needs help. And that pairs up with assuming the best of my students. They came to class because they want to learn, and maybe something got in the way. I try to find their greatness, whether it’s math or otherwise. That’s a more human way to see students, and it opens them up to new things, like trying difficult mathematics.